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She debuted in Malayalam through a studio album of composer Alphons Joseph and later gave voice to his song "Vida Parayukayano" from Big B. She debuted in South through the song "Yen Chellam" in Vasantha Balan's Tamil film Album and got noticed after singing the duet "Munbe Vaa" from Sillunu Oru Kaadhal under composer A. She has received Filmfare awards in Hindi, Tamil, Kannada and Malayalam industries and State Film Awards from Malayalam, Tamil industries. Keeravani, Shantanu Moitra, Mano Murthy, Devi Sri Prasad and Pritam. Since Devdas, she has received awards singing under musicians including A. She also won the National Film Award for the song "Bairi Piya". Her performance won her the Filmfare Award for Best Female Playback Singer, as well as Filmfare's RD Burman Award for New Music Talent. In 2000, he offered her the opportunity to be the voice of Paro, the lead female character of the film Devdas, who was portrayed by Aishwarya Rai. Career Ghoshal caught the attention of director Sanjay Leela Bhansali when she participated in Sa Re Ga Ma Pa for a second time, this time as an adult. After graduation she enrolled at SIES College. She studied at Atomic Energy Central Schools (AECS) at Rawatbhata and Anushaktinagar (Mumbai). She trained with Kalyanji for 18 months and continued her classical music training with Mukta Bhide in Mumbai. Kalyanji, who also judged the competition, convinced her parents to move to Mumbai. As a child, she won the children's special episode of the Sa Re Ga Ma (now Sa Re Ga Ma Pa) contest on Zee TV. She got training in Hindustani classical music in Kota with Maheshchandra Sharma. Biswajeet Ghoshal, works as a nuclear power plant engineer for the Nuclear Power Corporation of India, whereas her mother is a literature post-graduate From the age of four., Ghoshal accompanied her mother on the harmonium. She grew up in Rawatbhata, a small town near Kota, Rajasthan. Her ancestors came from the region of Dhaka district, Bangladesh. Shreya Ghoshal was born to a Bengali Hindu, Brahmin family in Durgapur, West Bengal. one day we argued heavily, the other day we were sitting and eating together on the set," he added.�This Page is place for the fans of music angel SHREYA GHOSHAL� Aministrated by AAnam.
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Frankly, while yes he hasn't asked me to give music to his films after 'Devdas', I must add here that our fights have been rather funny. All the three films had very good music but I still rate 'Devdas' and 'Hum Dil De Chuke Sanam' better than them. Post 'Devdas', Bhansali has started making music all by himself. I would love to work with Bhansali again but not at the cost of compromising my creativity. I was just a violinist in his music team and he gave me the privilege of providing music to his two most crucial films in his career. Both of us are strongly creative and opinionated. "Bhansali and I are still good friends and very much in touch. The music director shared that he would love to work with the filmmaker but not at the cost of compromising his creativity. Ismail further added that though he never teamed up with Bhansali after Devdas, the two are still in touch. Recommended Read: Ismail Darbar reacts to rumours of son Zaid Darbar marrying Gauahar Khan next month, says 'we are ready for whatever they want' After the line 'Kaise Kahaun' in 'Bairi Piya', quite a few shots are from the new set," Ismail told. Bhansali's booked time duration in Film City ended aur phir unko ko ek new set lagana padha away from Film City to complete the song. I was not ready to change, neither 'Dola Re' nor 'Bairi Piya'. "Bhansali was not happy even with 'Dola Re'. The veteran music personality said that the filmmaker wanted a few changes but he refused to do so.ĭue to their creative differences, the shoot of Bairi Piya got delayed. Talking about the same, Ismail, in an interview with a leading daily, spoke about their disagreement over Dola Re Dola and Bairi Piya. However, after Devdas, Ismail and Sanjay never collaborated and buzz of their tiff made headlines. Be it Dola Re Dola or the romantic number Bairi Piya, the music director weaved magic. Thanks to Ismail Darbar for giving Bollywood melodies that are still fresh in everyone's mind. Sanjay Leela Bhansali's Devdas wasn't just rich in grandeur but music too.